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Showing posts with label underpainting. Show all posts
Showing posts with label underpainting. Show all posts

Friday, July 22, 2016

It was Neither More Nor Less Than a Pig

It was Neither More Nor Less Than a Pig, 18 x 24, oil on cradled board
 The title comes from a line in Alice's Adventures in Wonderland.

The white porcelain was more of a challenge than I thought it would be. And the chocolate pig is living in my freezer. I don't have the heart to eat him after he put in such hard work as a model.

Available

See more of my Contemporary Realism paintings on My Website  

Tuesday, October 20, 2015

Blue Vase and Silk

 
 
Blue Vase and Silk is 30" x 30" oil on canvas.
This painting took FOREVER to complete. I started it with a grisalle underpainting  (a black and white painting) and then applied layers and layers of color to the vase, each layer having to dry before the next layer was applied.
Many challenges in this painting. I had to paint the blue vase plus the fabric behind the vase  and the reflections in the vase.
And the silk! My favorite fabric. It seems to capture and reflect all the colors of the rainbow.
I can't wait to do another painting like this

Available

See more of my Contemporary Realism paintings on My Website

Tuesday, September 8, 2015

Wholly Cow


Wholly Cow, 14 x 14, oil on board

This painting was great fun to create. It has my vintage blocks, marbles, a ceramic cow, a marionette and a photo of a cow. It's everything a Cow Lover would want in a panting.

Available

See more of my Contemporary Realism paintings on My Website

Friday, May 23, 2014


Blue Vase and Silk is 30" x 30" oil on canvas.

This painting took FOREVER to complete. I started it with a grisalle underpainting  (a black and white painting) and then applied layers and layers of color to the vase, each layer having to dry before the next layer was applied.
Many challenges in this painting. I had to paint the blue vase plus the fabric behind the vase  and the reflections in the vase.
And the silk! My favorite fabric. It seems to capture and reflect all the colors of the rainbow.
I can't wait to do another painting like this

Available

See more of my Contemporary Realism paintings on My Website

Monday, May 19, 2014

It was Neither More Nor Less Than a Pig


It was Neither More Nor Less Than a Pig, 18 x 24, oil on cradled board

 The title comes from a line in Alice's Adventures in Wonderland.

The white porcelain was more of a challenge than I thought it would be. And the chocolate pig is living in my freezer. I don't have the heart to eat him after he put in such hard work as a model.

If you missed my Work in Progress photos you can see them starting HERE

Available

See more of my Contemporary Realism paintings on My Website 

Tuesday, January 24, 2012

It was Neither More Nor Less Than a Pig



It was Neither More Nor Less Than a Pig, 18 x 24, oil on cradled board

This is the finished painting. The title comes from a line in Alice's Adventures in Wonderland.

The porcelain was a bigger challenge than I thought it would be.

I hope you enjoyed the Work in Progress. Feel free to leave a comment or ask a question

Friday, January 20, 2012

Thursday, January 19, 2012

Porcelain Porcine - Day 4



Porcelain pigs, work in process

I decided to dull down the background a bit.I spent most of the day blending and smoothing the porcelain.

Wednesday, January 18, 2012

Porcelain Porcine - Day 3



Porcelain Pigs
, work in progress

I skipped showing the image for day 2 because I think only I could tell that any progress was made. Day 2 was spent adding shape and form, darks and lights to the porcelain.

Here, at the end of Day 3, you can see that everything has started to solidify. The shapes are taking on more character.

More tomorrow

Porcelain Porcine - Work in progress



Porcelain Pigs, work in progress
I had a Need to create a painting with bone china or porcelain. My first thought was 'Teacups'. But as I browsed through my Cabinet of Curiosities I came across this sounder of pigs.

I draw the still life on a piece of tracing paper first then transfer the drawing onto the canvas or board.

Sometimes I do detailed monochromatic or Grisaille underpaintings and then build up the colors. This is a fairly monochromatic painting so I'm starting by blocking in the colors and the lights and darks.

This is how the painting looks at the end of Day 1

Monday, June 20, 2011

PB&J-work in progress



PB&J day 1, oil on linen, 30 x 40

I keep seeing other artists paint this subject matter and since Peanut Butter is one of my top 5 favorite foods, I thought I would throw my hat in the ring.

Some of my paintings are started with a monochromatic underpainting and built up with thin layers of color .I began this painting with large blocks of color which will also be finished with layers of detail.

Tuesday, June 9, 2009

Blue Vase and Silk - oil painting


Blue Vase and Silk is 30" x 30" oil on canvas.

This painting took FOREVER to complete. I started it with a grisalle underpainting  (a black and white painting) and then applied layers and layers of color to the vase, each layer having to dry before the next layer was applied. 

Many challenges in this painting. I had to paint the blue vase plus the fabric behind the vase  and the reflections in the vase.

And the silk! My favorite fabric. It seems to capture and reflect all the colors of the rainbow.

I can't wait to do another painting like this

Monday, April 27, 2009

WIP - Ball Jar


I wasn't planning on showing more images of this painting until it was complete but someone asked me about it so heres what it looks like today

Sunday, April 26, 2009

Ball Jar - Work In Progress



I’m happy with the way this painting is coming along. I did a grisalle underpainting and am starting to lay in the colors. The jar is filled with pastel candy easter eggs but I will make the eggs bright with multiple layers of color.

The most time consuming part of this painting was the lettering on the jar. But I enjoyed the challenge

This painting is 24″ x 18″, oil on canvas

Tuesday, April 21, 2009

Wholly cow - demonstration - Finish



As you can see I've finished the marbles. After painting all the object I fell that it was a painting of a bunch of objects and not a cohesive painting so I did a final wash of shadows to darken the table and push some of the blocks into the background. That seemed to pull everything together. This is the final result.

Monday, April 20, 2009

Wholly Cow - demonstration - day 5


Here's the ceramic cow finished.Since I did a gray underpainting on the cow I didn't need to add much color. I added the pink and yellow and a few spots of a very thin blue which you may not be able to see.

To get the  lines on the blocks, I put a layer of color on the block and then used a white waxy colored pencil to remove the color (the pencil is not adding any color to the painting). 

I'm still building color on the marbles. Most of the colors are very transparent so it's slow to build up. I'm adding Liquin to may paint to make the color washes.

You can see the color that I've added to the table top for the reflections.

Tomorrow I will show the finished painting. Any questions?

Saturday, April 18, 2009

Wholly Cow - demonstration- day 4


More of the same. Building up the underpainting. Looks like the cow and blocks are ready for the first layer of color.I've added a thin wash of color to the marbles.

Friday, April 17, 2009

Wholly Cow - Demonstration - day 3



More layering of paints on everything. I put a wash of color on the marbles. I added shadows on the background and continued adding darks and lights to give the items depth. And I added the "tape" to the cow photo. I'm really pleased with the way it came out

 

Thursday, April 16, 2009

Work in Progress - Wholly Cow


This is how I started this painting. I draw on a piece of tracing paper and when I'm happy with the drawing I transfer it to my gessoed board or canvas.  I then refine the drawing further and spray it with a fixative. Next, blocked in the background colorsand started building up the grays in the cow photo. I let that dry. Day 2 I added more to the background colors. Because my drawing was dark, I was able to add my first layer of paint on the object in my still life and still see the details underneath. I did a gray underpainting on the cows and an umber painting on the blocks. I painted the marbles white while I redefined their shape.

I'll add more as the painting progresses.

Sunday, March 29, 2009

April Newsletter


Newsletter April 2009

Greetings. I hope you are enjoying Spring. Here in the Sacramento Mountains of New Mexico the spring winds have arrived. And we who live off grid are welcoming the longer days of sunshine. I need to do a bit of repair work on my greenhouse before I can plant my tomatoes. A greenhouse is the best way to keep the elk and deer from harvesting my crop before I do.
   
Salon International
Open House & Reception April 11, 2009

Gallery Exhibit April 11 - May 1

Greenhouse Gallery of Art,San Antonio , TX

As I told you last month, I had 2 of my paintings accepted into the Salon International Exhibit. I'm so thrilled to be in this show. There were 1031 paintings entered in this juried show and 347 were selected. I'm glad I didn't have to be the judge!
One of my paintings in the show is "The Making of a Cowboy", an oil on canvas , 24″ x 18″. It shows our favorite cowboy, Howdy Doody, with his patent, and accessories to make a cowboy. What cowboy is complete without his badge, handkerchief, garters, boots and plaid shirt? He is shown hanging from a rustic wood panel . Howdy was the first tv character to have a copyright.

I have a step by step demonstration showing how I painted this on my blog
 
With Wind and Time
This is a recent painting, oil on canvas, 30 "x 40" . It shows a plains Indian warrior wearing a bone breast plate, red and blue beads and a black blanket. The painted hand on his face shows that he has ‘counted coup’ or touched an enemy in battle.

This painting can be purchased at Mountain Trails Gallery in
Park City UT
  
How to care for your oil painting
This tip is from The American Institute for Conservation
Dust your painting every four to six months. Feather dusters can scratch paintings. Instead use soft, white-bristle Japanese brushes, sable (such as a typical makeup brush), or badger-hair brushes (called "blenders" and used for faux finishes). Never try to clean a painting yourself or use any liquid or commercial cleaners on a painted surface. Commercial preparations can cause irreparable damage to the fragile layers of a painting.
 
To see more of my paintings , a list of my galleries and to be the first to see my current work please view these sites

http://www.khenderson.com/
http://www.fineartoils.com/
Blogs http://khendersonart.wordpress.com/
  http://fineartoils.wordpress.com/

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